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Powandas Directory 10
Page 09
We travelled along that great table-land, occasionally seeing a herd of llamas stampede away at the approach of the train, now and then observing circular stone walls erected by shepherds as shelters. A gable-roofed hut was occasionally seen. Picturesque natives in their _ponchos_ and red or yellow scarves gazed, astonished, at the train throbbing along slowly upon the steep gradient of that elevated barren country. The cold seemed intense after the tropical heat of Lima. It was snowing hard. In the daytime I generally travelled seated in front of the engine, in order to have a better view of the landscape. In the train everybody suffered from _soroche_ or mountain-sickness, which attacked most people when brought up quickly by the railway from the sea to such high elevations. I was driven away from the front of the engine by the cold rain and sleet beating with great force into my face, and obscuring the landscape to such an extent that I could see nothing at all.
The twelfth, the Purification, is absurdly bad, but I do not know whether the expression of strong personal dislike to the Virgin which the High Priest wears is intended as prophetic, or whether it is the result of incompetence, or whether it is merely a smile gone wrong in the baking. It is amusing to find Marocco, who has not been strict about archaeological accuracy hitherto, complain here that there is an anachronism, inasmuch as some young ecclesiastics are dressed as they would be at present, and one of them actually carries a wax candle. This is not as it should be; in works like those at Oropa, where implicit reliance is justly placed on the earnest endeavours that have been so successfully made to thoroughly and carefully and patiently ensure the accuracy of the minutest details, it is a pity that even a single error should have escaped detection; this, however, has most unfortunately happened here, and Marocco feels it his duty to put us on our guard. He explains that the mistake arose from the sculptor's having taken both his general arrangement and his details from some picture of the fourteenth or fifteenth century, when the value of the strictest historical accuracy was not yet so fully understood.
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