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At Augsburg there was still another school, which came into prominence in the sixteenth century with Burkmair and the Holbeins. It was only a part of the Swabian school, a concentration of artistic force about Augsburg, which, toward the close of the fifteenth century, had come into competition with Nuremberg, and rather outranked it in splendor. It was at Augsburg that the Renaissance art in Germany showed in more restful composition, less angularity, better modelling and painting, and more sense of the _ensemble_ of a picture. Hans Burkmair (1473-1531) was the founder of the school, a pupil of Schoengauer, later influenced by Duerer, and finally showing the influence of Italian art. He was not, like Duerer, a religious painter, though doing religious subjects. He was more concerned with worldly appearance, of which he had a large knowledge, as may be seen from his illustrations for engraving. As a painter he was a rather fine colorist, indulging in the fantastic of architecture but with good taste, crude in drawing but forceful, and at times giving excellent effects of motion. He was rounder, fuller, calmer in composition than Duerer, but never so strong an artist.

Perseus was at the head of a numerous and well-appointed army, but of all his allies, only Cotys, king of the Odrysians, ventured to support him against so formidable a foe. Yet the war was protracted three years without any decisive result; nay, the balance of success seemed on the whole to incline in favor of Perseus, and many states, which before were wavering, now showed a disposition to join his cause. But his ill-timed parsimony restrained him from taking advantage of their offers, and in B.C. 168 the arrival of the Consul L. AEmilius Paullus completely changed the aspect of affairs. Perseus was driven from a strong position which he had taken up on the banks of the Enipeus, forced to retreat to Pydna, and, finally, to accept an engagement near that town. At first the serried ranks of the phalanx seemed to promise superiority; but its order having been broken by the inequalities of the ground, the Roman legionaries penetrated the disordered mass, and committed fearful carnage, to the extent, it is said, of 20,000 men. Perseus fled first to Pella, then to Amphipolis, and finally to the sanctuary of the sacred island of Samothrace, but was at length obliged to surrender himself to a Roman squadron. He was treated with courtesy, but was reserved to adorn the triumph of his conqueror. Such was the end of the Macedonian empire. The Senate decreed that Macedonia should be divided into four districts, each under the jurisdiction of an oligarchical council.


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