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Against the right-hand wall are two lady-helps, each warming a towel at a glowing fire, to be ready against the baby should come out of its bath; while in the right-hand foreground we have the levatrice, who having discharged her task, and being now so disposed, has removed the bottle from the chimney-piece, and put it near some bread, fruit and a chicken, over which she is about to discuss the confinement with two other gossips. The levatrice is a very characteristic figure, but the best in the chapel is the one of the head nurse, near the middle of the composition; she has now the infant in full charge, and is showing it to St. Joachim, with an expression as though she were telling him that her husband was a merry man. I am afraid Shakespeare was dead before the sculptor was born, otherwise I should have felt certain that he had drawn Juliet's nurse from this figure. As for the little Virgin herself, I believe her to be a fine boy of about ten months old. Viewing the work as a whole, if I only felt more sure what artistic merit really is, I should say that, though the chapel cannot be rated very highly from some standpoints, there are others from which it may be praised warmly enough. It is innocent of anatomy-worship, free from affectation or swagger, and not devoid of a good deal of homely naivete. It can no more be compared with Tabachetti or Donatello than Hogarth can with Rembrandt or Giovanni Bellini; but as it does not transcend the limitations of its age, so neither is it wanting in whatever merits that age possessed; and there is no age without merits of some kind. There is no inscription saying who made the figures, but tradition gives them to Pietro Aureggio Termine, of Biella, commonly called Aureggio. This is confirmed by their strong resemblance to those in the Dimora Chapel, in which there is an inscription that names Aureggio as the sculptor.

The Connecticut Valley was next the theatre of war. Springfield, Hatfield, Deerfield, and Northfield were attacked the last two having to be abandoned. At Hadley the onset occurred on a fast-day. The men rushed from their worship with their muskets, which were ready to hand in church, and hastily formed for battle. Bewildered by the unexpected assault, they were on the point of yielding, when, according to tradition, an aged hero with long beard and queer clothing appeared, placed himself at their head and directed their movements. His evident acquaintance with fighting restored order and courage. The savages were driven pell-mell out of town, but the pursuers looked in vain for their deliverer. If the account is correct, it was the regicide, General Goffe, who had been a secret guest in the house of the Rev. Mr. Russell. He could not in such danger refrain from engaging once again, as he had so often done during the Civil War in England, in the defence of God's people.


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