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The following year (B.C. 274) closed the career of Pyrrhus in Italy. The Consul M'. Curius marched into Samnium, and his colleague into Lucania. Pyrrhus advanced against Curius, who was encamped in the neighborhood of Beneventum, and resolved to fight with him before he was joined by his colleague. As Curius did not wish to risk a battle with his own army alone, Pyrrhus planned a night-attack upon his camp. But he miscalculated the time and the distance; the torches burnt out, the men missed their way, and it was already broad daylight when he reached the heights above the Roman camp. Still their arrival was quite unexpected; but, as a battle was now inevitable, Curius led out his men. The troops of Pyrrhus, exhausted by fatigue, were easily put to the rout; two elephants were killed and eight more taken. Encouraged by this success, Curius no longer hesitated to meet the king in the open plain, and gained a decisive victory. Pyrrhus arrived at Tarentum with only a few horsemen. Shortly afterward he crossed over to Greece, leaving Milo with a garrison at Tarentum. Two years afterward he perished in an attack upon Argos, ingloriously slain by a tile hurled by a woman from the roof of a house.

A piece of music, again, without any words at all, or a song with words that have nothing in the world to do with the ideas which it is nevertheless made to convey, is often very effectual language. Much lying, and all irony depends on tampering with covenanted symbols, and making those that are usually associated with one set of ideas convey by a sleight of mind others of a different nature. That is why irony is intolerably fatiguing unless very sparingly used. Take the song which Blondel sang under the window of King Richard's prison. There was not one syllable in it to say that Blondel was there, and was going to help the king to get out of prison. It was about some silly love affair, but it was a letter all the same, and the king made language of what would otherwise have been no language, by guessing the meaning, that is to say by perceiving that he was expected to enter then and there into a new covenant as to the meaning of the symbols that were presented to him, understanding what this covenant was to be, and acquiescing in it.


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